By Sarah Sluis
Over 100 million people in the U.S. use Facebook, so it's no wonder that The Social Network landed in first place for the second week, adding another $15.5 million to its two-week total of $46 million. The David Fincher-directed drama dipped just 30%, showing impressive holding power due in part to interested older audiences.
The Katherine Heigl-led romantic comedy Life as We Know It landed in second place with $14.6 million, beating the Disney feel-good horse film, Secretariat, which finished a place below with $12.6 million. Secretariat played well among heartland audiences, but Disney was hoping for a success along the lines of Warner Bros.' The Blind Side, which opened to $34 million and finished its run with seven times that amount, $255 million. Disney's new marketing chief M.T. Carney spoke out on the soft opening, hinting that strong Internet buzz may not have reached the non-urban audiences.
Wes Craven's high school serial killer movie, My Soul to Take, accrued just $6.9 million over the weekend, even with the majority of the screens showing the horror film in 3D.
It's Kind of a Funny Story finished in twelfth place with $2 million. Though outside of the top ten, the slightly edgy romance/comedy had a better per-screen average ($2,700) than many of the films in the top ten because of its low screen count (742 screens).
A number of specialty releases posted per-screen averages above $10,000. Sony Pictures Classics limited The Inside Job's release to just two screens, boosting the per-screen average of the financial crisis documentary to $21,000 per screen, the highest of the week. The star power of Robert De Niro and Edward Norton undoubtedly helped push Stone to a $12,000 per-screen average on six screens. The John Lennon coming-of-age tale Nowhere Boy posted a $14,000 per-screen average on four screens.
Buried posted the biggest gain among specialty releases, rising 105% as it more than doubled the amount of screens in release. Never Let Me Go, which had languished last week, rose 87% as it quadrupled the number of theatres showing the picture. Waiting for "Superman" went up 55% in its third week, crossing the $1 million mark, and Woody Allen's You Will Meet a Tall Dark Stranger added 31% for a three-week total of $873,000.
On Friday, Helen Mirren stars as a spy/assassin in Red, which centers on aging CIA agents, and connoisseurs of physical comedy can rejoice in the exploits featured in Jackass 3D.
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