Showing posts with label Gotham Independent Film Award. Show all posts
Showing posts with label Gotham Independent Film Award. Show all posts

Thursday, October 18, 2012

Hidden gems populate Gotham Independent Film Award nominations

Oscar nominations won't be announced until January 5th. The Gotham Independent Film Award nominations, which come far before the Oscars, Globes, or the multitude of critic association awards, stand apart not only on the calendar, but in content. If you look at IndieWire's current list of potential Oscar nominees, for example, there's almost no crossover with the Gotham Awards. In the list of nominations below, I provide links to Film Journal reviews, and give a few recommendations of my own.


Best Feature
Bernie: This arthouse feature has earned $9 million to date, with steady returns week after week. It's also nominated for "Best Ensemble Performance," with the unlikely trio of  Jack Black, Shirley
Bernie jack black shirley maclaineMacLaine, and Matthew McConaughey sharing the screen.
The Loneliest Planet: This one hasn't released yet, but it's about an engaged couple (one half of which is the handsome Gael Garcia Bernal) who go on a hike, and bad things happen. If the Gotham people like it, it must be good.
The Master: This is the only one of Gotham's nominations that's also polling high in the Oscar race. Though our critic Chris Barsanti felt it lacked some of director Paul Thomas Anderson's "characteristically thunderous panache," this Scientology-esque biopic is high-profile enough everyone should see it in order to weigh in.
Middle of Nowhere: The story of a woman "who cares for her imprisoned husband while struggling to keep her true self afloat," as described by critic Tomris Laffly, "reinstates one’s at times
diminishing faith in independent film," refusing to give out "louder
statements about social injustice" but instead letting the audience draw its own conclusions. Participant Media helped finance, and they only back "socially conscious" films.
Moonrise Kingdom: One of director Wes Anderson's most successful films in recent years, the charming story of young love is a natural fit for the director's reflexive, nostalgic style. Some think this one can slide into the Oscar race, with at least some chance of picking up nominations. Another nominee for "Best Ensemble Performance," this movie will likely do even better in critics' awards and the Spirit Awards.


Best Documentary
I've seen a number of docs this year, but none of these are among them. Here's a roundup of these films, and hopes that they'll be in a theatre near you or on Netflix soon.
Detropia: "A tone poem soaked in the
blues," as described by Barsanti, about Detroit's continuing decline from its manufacturing glory days, is a haunting look at what forty plus years of recession
Detropia 2 looks like.
How to Survive a Plague: A victorious look over how AIDS has gone from a death sentence to a treatable disease.
Marina Abramović: The Artist is Present:  A countdown to the performance artist's solo show at New York's Museum of Modern Art.
Room 237: Reviewed here as part of a NYFF recap, Room 237 interviews "a handful of die-hard [Stanley] Kubrick fans and scholars
who make largely preposterous, hilarious and only sometimes sober
arguments for symbols that permeate his work." Anyone who's speculated about the blood coming out of the elevator doors might find this movie a worthy follow-up to Kubrick's masterpiece.
The Waiting Room: A fly-on-the-wall look at an ER waiting room.


Among the other nominations, there are two for Beasts of the Southern Wild, "Breakthrough Director" for Benh Zeitlin and "Breakthrough Actor" for Quvenzhané Wallis. I recommend it as one of this summer's best and most successful indies. The "This American Life" crowd may take a shine to Sleepwalk with Me. Star/writer/director Mike Birbiglia was nominated for his performance in the "Breakthrough Actor" category. Everyone I know who has seen it found it sweet and recommended it to others. Awards frontrunner The Silver Linings Playbook grabbed one nomination for "Best Ensemble Performance," which is probably only a small precursor of what's to come. The Gotham Independent Film Awards are on November 26th, right in the midst of the awards releases onslaught.



Tuesday, October 19, 2010

'Winter's Bone' leads Gotham Independent Nominations


By Sarah Sluis

The Gotham Independent Film Awards released their nominations, and with three nods, Winter's Bone leads the pack. The film now occupies the place in the awards arena that The Hurt Locker held last year Of course, that's no guarantee that the movie will end up gleanding the most awards, as The Hurt Winters bone jennifer lawrence Locker did, but it has well-positioned Winter's Bone for the awards season.



While the Gotham Independent Awards stays close to its mission and really does reward movies with small budgets and under-the-radar followings, its picks occasionally appear in that holy grail of awards ceremonies, the Oscars (besides The Hurt Locker, Capote and Sideways have ended up with Oscar nods for Best Picture).



Winter's Bone has the best chance of securing the following Academy Award nominations: Best Actress for newcomer Jennifer Lawrence (though she doesn't have nearly the amount of momentum as last year's ingnue nominee, Carey Mulligan), and Best Film. With ten nominees for the top film, the drama has a definite chance of squeezing in.



Then there's the subject matter. Winter's Bone is the anti-Blind Side. It's a "flyover state" movie without the sentimentality. Its depressing realism makes the based-on-a-true-story The Blind Side seem like a fairy tale. Jennifer Lawrence plays a young woman whose father has skipped bail after putting the family house on the line as collateral. She journeys through a meth-riddled criminal world in a quest to find her father and save her home in the Ozarks. This is the kind of movie that can make L.A. and New York-based Oscar voters feel like they "know" or "get" the in-between states. In the name of cross-geographical understanding, who wouldn't want to vote for this film?



I'm putting Winter's Bone back in my list of contenders. So far, many of the awards-seeking movies have failed to top Winter's Bone, and I'm rooting for this quiet underdog. Here's hoping Roadside Attractions can mount a campaign for it.