Showing posts with label Nicholas Sparks. Show all posts
Showing posts with label Nicholas Sparks. Show all posts

Wednesday, September 17, 2008

CYRUS SPARKS TO TEEN ROMANCE


By Sarah Sluis

Miley Cyrus has just made the shrewdest career move ever.  Forget adapting an existing novel, Cyrus' team has commissioned Nicholas Sparks to write a book and screenplay tailored for her.  Her team has Fp9073hannahmontanabestofbothworlds
good reason to want so much control over her next film.  The incredibly bankable star of Disney's Hannah Montana, singer of sold-out concerts and a record-breaking IMAX concert film, is literally growing out of her role, making her success in a teen-to-adult part crucial.  With her slightly racy Annie Leibovitz-led Vanity Fair shoot a misfire, the Cyrus team is under extra pressure to prove she has the ability to switch to teen and adult roles�enter proven property, Nicholas Sparks.



Sparks' books have been great vehicles for teen-to-adult stars.  Featuring pull-on-heartstring romances and strong family ties, and having enraptured legions of female viewers, these films are exactly what growing Hannah Montana fans will seek.  Singer Mandy Moore benefited from her turn as a preacher's daughter with a terminal disease in A Walk to Remember, and Rachel McAdams' career took off after she followed her performance as Queen Bee in Mean Girls with an is-that-her? performance later that summer as sweet Southern Allie Hamilton in The Notebook.  The Notebook in particular had an indie following that resonated with teen viewers.  The word-of-mouth tagline (which no marketer could have thought up) went something like: "Have you seen The Notebook yet?  Ohmigod, I cried so hard, I was just bawling."  Montana fans, who similarly engage in the content across platforms by buying CDs, going to concerts, and dressing up like her as Halloween, will need an emotionally engaging film that will inspire multiple viewings and collaborative chatter.



The genre, too, represents a shift from childhood wish fulfillment to teenage wish fulfillment.  Miley Cyrus made her fame out of the proven "teen double life" genre, which I remember from my Nickelodeon childhood days.  A literal representation of a childhood desire to be special and to become independent, they involve tweens who have access to a "phone booth" moment, wherein they transform to a television star ("The Famous Jett Jackson"), rock star ("Hannah Montana"), or superpower liquid ("The Secret World of Alex Mack").  What makes these television shows so compelling is their preservation of the awkward, normal tween character.  Shifting between the normal and super personas, viewers experience the transformation moment again and again.  Sparks' adaptations keep the fairy tale in the romance, making its couples part of a special, fated love blocked by circumstances, you guessed it, again and again.  If Hannah Montana tapped into a kid's desire to be special, a Nicholas Sparks adaptation will tap into the teen desire to be loved by someone special�a perfect project to allow Hannah Montana to age with her viewers as they transition to adulthood.



Tuesday, September 9, 2008

Perturbed by Disturbia


By Sarah Sluis

Disturbia 025_rear_window



Disturbia, last year's knockoff of Rear Window, a fact mentioned by every critic to review the film, Film Journal's included, has just been smacked with a lawsuit alleging that it ripped off the short story used for the plot of Rear Window.  DreamWorks (including its co-founder Steven Spielberg), its parent company Viacom, and Universal were named as defendants.  Given the similarity between the two films, it's embarrassing that this was just noticed.  In fact, a similar lawsuit was brought to court in 1998 by Sheldon Abend over television rights to Rear Window, so it's not as if this property has been lying unnoticed since 1954.  Abend, executive producer of Rear Window and owner of the rights, died in 2003, leaving Sheldon Abend Revocable Trust to do the job�and apparently the lawyers are sleeping on the job.





Mean Girls sidekick turned Mamma Mia! star Amanda Seyfried has taken a cue from her other Mean Girls co-star, Rachel McAdams (The Notebook), and signed onto a Nicholas Sparks adaption.  The film, Dear John, chronicles the romance between a do-gooder college student and a soldier on leave.  They fall in love the summer before 9/11, but their romance receives the ultimate test when John goes back overseas after the terrorist attacks.





Up in Toronto, the big news was Fox Searchlight's acquisition of The Wrestler.  With a nod to Mickey Rourke's has-been star persona, he plays a fading semi-pro wrestler who tries to connect with his daughter (Evan Rachel Wood) and a similarly aging stripper (Marisa Tomei) as his success in the ring diminishes.  The film, which won the Golden Lion at Venice, will release in the U.S. this December.  Just in time for Oscar season�could this be another De Niro in Raging Bull?