Showing posts with label Tom Hooper. Show all posts
Showing posts with label Tom Hooper. Show all posts

Wednesday, May 30, 2012

Anne Hathaway dreams a dream in 'Les Misérables'

Universal has high hopes for Les Misérables, which they've set for a December release. The studio just released a trailer for the musical, which will likely play before the distributor's release of Snow White and the Huntsman this Friday. Perhaps trying to reel in female fans who wanted to see Snow White for Kristen Stewart, the trailer focuses on Anne Hathaway as Fantine, a downtrodden single mother.


At my first pass on the trailer, Hathaway's voice sounded raw, with audible breathes between phrases, which is usually a no-no for singers. However, Hathaway has a history of nailing live performances, including on the Oscars and in this tribute to Meryl Streep. She also sang (a cover of Queen's "Somebody to Love," why?)in Ella Enchanted, which had a full soundtrack. She's not a bad singer. So why does she sound this way? Director Tom Hooper (The King's Speech) reportedly had his actors sing live on set, which produces the less polished feel. Given how over-autotuned most songs are, especially ones sung by actors who aren't the greatest singers, I appreciate that Hooper went for live-style singing. Oddly, having more authentic, oh-so slightly flawed singing will make the experience feel more like one is part of an audience watching a live performance.



 


Hathaway's singing is the star of the trailer, but there are a few other glimpses of the impoverished sections of early 19th-century Paris that serves as the backdrop to the epic tale. The comically evil Thénardier couple, which will be played by Sacha Baron Cohen and Helena Bonham Carter, are nowhere to be found, but I kind of hope they remain out of the trailers and serve as a surprise for ticket-buyers.  Les Misérables is an ensemble piece, with Hugh Jackman, Russell Crowe, and Amanda Seyfried in the leading roles, but this first trailer makes it seem like Hathaway is the film's true star.


 



Wednesday, January 4, 2012

Amanda Seyfried and Taylor Swift join cast of Les Miz


By Sarah Sluis

Amanda Seyfried as Cosette and Taylor Swift as Eponine are the latest additions to Oscar-winning director Tom Hooper's (The King's Speech) production of Les Misrables. The musical will shoot in March with plans to release during holiday prime time, December 7, 2012. I have mixed feelings about the casting, mainly of Swift.



Les miserablesSwift may be able to sing, but she has a fakeness to her acting that came across even during her brief role in Valentine's Day. Those who aren't fans of the country songstress may take comfort in the horrible trajectory of her character's life. She is the daughter of the Thnardier family, which took a girl, Cosette, in and abused her. Eponine was the Thnardier's true daughter, but as an adult she pines for a man who is only in love with Cosette.



Seyfried's role is much bigger than Eponine's. I've been so surprised to see Seyfried's career take off since she first played the airhead friend in Mean Girls. In Mamma Mia! she showed she can handle musicals, and Slash Film reports she's trained as an opera singer--a big plus.



Seyfried and Swift join a cast that's studded with big names and Oscar nominations. Hugh Jackman plays the beleagured Jean ValJean, Russell Crowe the hard-nosed Inspector Javert, and Anne Hathaway the pitiful Fontaine. Sacha Baron Cohen and Helena Bonham Carter will play the Thnardiers, tavern owners who mistreat Cosette but are also something of an evil caricature in the stage version (perhaps to soften the blow). Baron Cohen and Carter both have experience in these kinds of roles, so they're cast quite well. Eddie Redmayne, who plays the young man pining for Marilyn Monroe in My Week with Marilyn, will provide the third point to the love triangle between Cosette, Eponine, and his character, Marius. Les Misrables is an incredibly ambitious musical to pull off on screen, but as a fan of the musical and Hooper's work, I will definitely see the film version, for better or worse.