This year's Oscar nominations are out. Along with the expected films, performers, and crew nominations, there are a decent amount of snubs and a few surprise inclusions.
The most nominated film was the box-office disappointment Hugo. Director Martin Scorsese's feature received great critical reviews, but it's earned just $55 million compared to competing family pick Alvin and the Chipmunks: Chipwrecked's $124 million. I wonder if the nominations will convince adults, with our without children, to catch it while it's still in theatres.
Even with nine films nominated for Best Picture, there was still one snub: The Girl with the Dragon Tattoo. The David Fincher-directed picture landed four technical nods (including well-deserved ones for cinematography and editing), but only one in a "major" category. Rooney Mara received a nomination for Best Actress, no doubt in part because of the extreme changes she underwent to her physical appearance. I think Fincher is like Hitchcock--one of those directors whose genius always goes unrecognized by the Academy because of his chosen genre and subject matter.
A surprise inclusion in the Best Actor category was Demián Bichir in the little-seen A Better Life. Oscar voters love socially conscious films, and I'm sure this Los Angeles-set tale of underclass hardship hit close to home. Undoubtedly, many of the well-heeled Academy voters have probably employed a landscaper like him at one time, so the story has special resonance.
I'm also enthused that Melissa McCarthy was recognized in the Best Supporting Actress category for Bridesmaids. She was so much fun and also underwent quite a physical transformation. In fact, most of the female acting nominees looked quite unlike themselves in their performances. Glenn Close played a man in Albert Nobbs, and Meryl Streep and Michelle Williams both had to convincingly play a famous person (Margaret Thatcher and Marilyn Monroe, respectively).
In the foreign language category, I was at least a little disappointed that Mexico's Miss Bala didn't make the cut. The fast-paced, suspenseful tale of a beauty queen who gets caught up in the drug wars brought a human face to the destruction the drug lords have wrought in the area. Maybe it just had too many machine guns?
I'm surprisingly unfamiliar with the Best Documentary contenders. Pina, a 3D dance doc, has been a critical darling and has drawn plenty of audiences since it opened in late December. It's also earned three-quarters of a million dollars, along with over $11 million abroad. The rest of the nominees aren't so lucky--yet. I caught If a Tree Falls: A Story of the Earth Liberation Front when it played on PBS this year (pretty good). When the environmental activism doc played for nine weeks this summer, it earned just $61,000. Soldier doc Hell and Back Again has played for fifteen weeks while only grossing $37,000. Undefeated won't even open properly until February 10th. Neither has Paradise Lost 3: Purgatory, which will probably be seen by the most people when it plays on HBO, not in theatres.
Overall, Hugo leads with eleven nominations. Two-thirds of the time the most-nominated movie also wins Best Picture. There's a chance this might be the one-third of the time. The second-most nominated movie, The Artist, didn't have as much of a chance to pick up the technical nominations as Hugo. After all, who would nominate The Artist for sound editing or sound mixing? Like The Artist, The Descendants, which had just five nominations, still scored in all the major categories: Best Picture, Best Adapted Screenplay, Best Actor, Best Director, and Best Editing (which almost always goes along with Best Director). Despite its win for Best Drama at the Golden Globes, it now seems like more of a dark horse. Most people have been predicting The Artist for Best Picture, but Hugo's multiple nominations now make me think perhaps the Scorsese picture could win for Best Picture. With its mix of snubs and surprise nominations, this year's ceremony should have plenty of suspense, and pose at least a few challenges for those looking to win their Oscar pool.
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