By Sarah Sluis
Surpassing both industry ($50-$60 million) and Summit Entertainment's ($40 million) expectations, Twilight earned $70.5 million this weekend. The astounding figure makes my estimate of $100 million
in three weeks virtually guaranteed, even with this Wednesday's release of PG-13 spectacle Australia and comedy Four Christmases. Twilight, which made $35.8 million on Friday alone (including midnight screenings from the evening before), dropped minimally on Saturday. A cult film without crossover appeal usually dies on Saturday, but, like its undead hero, Twilight stayed alive. The flurry of media around Twilight created a zero-to-sixty in awareness level among those unfamiliar with the source material, drawing out scores of curious viewers, especially mothers. The film's Mormon connection siphoned away viewers from Disney's Bolt, which finished third at $27 million. Utah, with its Mormon-heavy, family-oriented population, normally does above-average business with Disney films, but it appears those audiences chose Twilight over Bolt. Disney expects audiences will turn out for Bolt in weeks to come, but Twilight's passionate fan base undoubtedly swayed groups of filmgoers towards the vampire romance. Directed by Catherine Hardwicke, the film also turns out to be the biggest opening ever for a female-directed film. More depressing than inspiring, only 6% of directors are female. Betcha more than 6% of wannabe directors are female.
Beating out Bolt, Quantum of Solace finished at #2 with $27.4 million. The best option for moviegoers not entranced by teen vampires or superstar dogs, the Bond film swiftly crossed the $100 million mark and brought its two-week total to $109.4 million.
Below the top three, kid-oriented pictures Madagascar: Escape 2 Africa (#4, $16 million) and High School Musical 3 (#7, $2 million) experienced the biggest drops in business due to competition from Twilight and Bolt. Each fell over 50% from last week, with HSM falling 64.5%.
Role Models ($7.2 million) and Changeling ($2.6 million) each dropped around 30% to finish at #5 and #6. The Boy in the Striped Pajamas, which expanded in its third week, made $1.6 million and grabbed the #9 spot. Finishing just outside of the top ten, despite being exhibited in only 32 theatres, Slumdog Millionaire made $994,000, $31,000 per theatre. Since its release, the film has received an uptick in Oscar buzz. Unlike Changeling, which lost Oscar momentum after people went out and saw the film, Slumdog Millionaire has played the underdog card successfully, making those who have seen the film feel as though they have discovered a gem. If only a fraction of the viewers are like me--I've encouraged a number of friends and family to see the film--Slumdog will be a millionaire many times over.
Full box office results available here.
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