By Sarah Sluis
That other young Anderson director, Paul Thomas Anderson, has revealed details about his next project, as well as his star: Philip Seymour Hoffman.
Hoffman will play The Master (which may end up being the title of the film), a charismatic person who starts a spiritual organization that quickly gathers followers and turns into a religion itself. It's told through a relationship between the Master and his mentor, Freddie, who is increasingly skeptical of the whole project.
While so far it's being billed as entirely fictional, and explicitly stated as not inspired by Scientology or Mormonism, the Vulture Blog noted that the drama is set in 1952, the same year Scientology was founded. That makes the statement "the scrutiny isn't specifically directed toward faith-based movements like Scientology or Mormonism" sound like a preemptive defense against Scientology and its practitioners, many of whom are prominent in the Hollywood community. Case in point? When "South Park" broadcast its famous "Trapped in the Closet" episode parodying Scientology, a Scientologist cast member quit the show. A rebroadcast was canceled, leading to media reports that Tom Cruise, another Scientologist, had allegedly threatened to back out of his publicity obligations for Mission Impossible 3 (both were owned by parent company Viacom) if his demand was not met. He later denied the claims. And that was a television show. If Anderson's work draws the ire of Scientologists, it might have a rough time getting made in Hollywood. However, if the project is distancing itself from Scientology, it would seem wise for the religion to follow suit, rather than open itself up to any religious criticism in the script.
Potential Scientology controversy aside, the pairing of Hoffman and Anderson is the best thing this project has going for it. Hoffman has appeared in virtually all of Anderson's movies, though not in a leading role. He's also an old hand at religious leader parts, playing a priest in Doubt and a reverend in Cold Mountain. Besides ensemble-piece Magnolia, Anderson has a record of giving meaty, stand-out roles to his leading men (Daniel Day-Lewis in There Will Be Blood, Adam Sandler in Punch-Drunk Love, Mark Wahlberg in Boogie Nights). Hoffman's an unforgettable actor (and I once spied him at an ATM in the West Village on my way to work!) and this is just the kind of role that could add another Oscar to his bookshelf.
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