By Sarah Sluis
I have a special fondness for the musical Les Misrables, which my high-school French teacher used to instruct us in the vagaries of the French language. Singing along with my fifteen-year-old classmates to Cosette's innocent rendition of "There is a Castle on a Cloud" in French ("Mon Prince est en Chemin")? Priceless. Universal Pictures has moved incredibly fast with its film adaptation of Les Misrables, casting the main roles shortly after announcing the project. The musical, based on Victor Hugo's 1862 novel, was first staged in London in 1985, so it's odd that the studio is now moving with so much speed. They've already set a release date: Dec. 7, 2012.
Anne Hathaway will play Fantine, a poor working-class woman whose condition is made worse by her chronic illness and her status as a single mom. She joins Russell Crowe, who will play Javert, the police inspector who makes the lives of Fantine and Jean Valjean miserable. Valjean, a criminal turned wealthy factory owner, will be played by Hugh Jackman. Most encouragingly, the production will be helmed by newly minted Oscar winner Tom Hooper. Last year, he received the Best Director award for the critical and commercial success The King's Speech.
The stage version of Les Misrables is sung all the way through. The question of how to blend the songs with dialogue (presumably spoken, not sung) will shape whether the movie ends up being a success or a failure. Musicals are no longer the pariahs they once were, but success is still something of a gamble. Who would have thought the poppy songs in Mamma Mia! would appear to effortlessly blend onscreen, leading to a global success? With its prestige December release date, Universal is undoubtedly hoping the movie will end up more like director Rob Marshall's adaptation of Chicago ($300+ million) and less like his adaptation of Nine ($50 million). Hooper has shown he can sensitively adapt history with The King's Speech and "John Adams," but will he be suited for a musical historical epic? In little more than a year we'll find out.
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