Showing posts with label A Separation. Show all posts
Showing posts with label A Separation. Show all posts

Friday, December 20, 2013

Oscar reveals 2014 foreign-language shortlist

Some are pleased, many significantly less so, with the recently announced selection of films still in the running for the Best Foreign Language Film Oscar. Academy members whittled down the list of 76 entries to nine, a mix of shoo-ins and surprise omissions sure to rankle critics.


Among the movies that will advance to the next and final round of voting before the Academy Awards are Paolo Sorrentino’s The Great Beauty (Italy), The Broken Circle Breakdown (Belgium), and The Grandmaster (Hong Kong).


The Past, directed by Asghar Farhadi, whose A Separation took home the prize in 2012, is arguably the most glaring exclusion. Though some critics say the film doesn't quite meet the bar Farhadi set for himself with A Separation, the movie has nonetheless garnered nearly universal acclaim (96% fresh on Rotten Tomatoes) for both the director and his stars, including The Artist’s Berenice Bejo.


Chile’s popular Gloria, and Saudi Arabia’s Wadjda, the first feature ever filmed in the region, let alone by a woman, were also notably snubbed. They’ll soon be joined on the sidelines by four of the nine films listed below, as ultimately only five movies can be nominated in the best foreign-language category. These finalists will be determined after one more round of voting takes place among specially selected committees in New York and LA.


No matter how difficult, it seems we must let go of The Past in favor of rooting for those works that still have a shot at gold. Which of the below has what it takes?


Belgium, The Broken Circle Breakdown, Felix van Groeningen, director
Like the characters it portrays, The Broken Circle Breakdown is a heartfelt but sloppy and overheated mess. Moving at times, but a mess nonetheless.


Full review


Bosnia and Herzegovina, An Episode in the Life of an Iron Picker, Danis Tanovic, director

Cambodia, The Missing Picture, Rithy Panh, director


Denmark, The Hunt, Thomas Vinterberg, director

It’s very polished, with confusing themes (the culture of hunting, the nature of lying and gossip, the power of forgiveness?), and has narrative lapses that torpedo credibility. But should the film not get the reviews and word of mouth required to fire up the box office, the intense performance from star Mads Mikkelsen (A Royal Affair, Clash of the Titans, Casino Royale, etc.) could prove a good hedge.


Full review

Germany, Two Lives, Georg Maas, director


Hong Kong, The Grandmaster, Wong Kar-wai, director

The Grandmaster works best if you've never seen a kung fu movie before. If you have, Wong Kar Wai's film may strike you as a beautiful and expensive missed opportunity.


Full review

Hungary, The Notebook, Janos Szasz, director


Italy, The Great Beauty, Paolo Sorrentino, director

The film will inevitably draw comparisons to Fellini classics like La Dolce Vita, 8 ½ and Roma, but the Fellini halo effect could prove especially advantageous. While fun and entertaining, Sorrentino’s Roman holiday, a long stretch at well over two hours, is a more challenging excursion.


Full review

Palestine, Omar, Hany Abu-Assad, director



Friday, December 30, 2011

'The Iron Lady' finishes 2011 with a punch


By Sarah Sluis

Now that Christmas is over, most of the big releases are coasting through the New Year. Just a few more movies will hit the screen this weekend, most of them indies.



The Iron Lady (4 theatres) will lead the pack. This portrait of controversial British Prime Minister Margaret Thatcher will surely attract fans of what critc Rex Roberts describes as the "peerless actress," Iron lady meryl streep
Meryl Streep. I found Streep to be the most enjoyable part of the whole film, which spends a little too much time with the dementia-ridden older Thatcher. Roberts seconds his approval of Streep, who he predicts will win an Oscar for her performance. He also came out in favor of the "imaginative, entertaining biopic" as a whole. One thing we both agree on: It's definitely better than J. Edgar.



The small-but-worthy Pariah opened on Wednesday in four theatres. The "funny, deep, and tender film," as described by David Noh, "delves into the largely unfamiliar world of black lesbians living their lives in New York City in the 21st century." The "unerring incisiveness" makes the drama feel like an "anthropological exploration," and Pariah wayans oduyedirector Dee Rees (profiled here) is a Hollywood up-and-comer.



Finally, A Separation (3 theatres) joins the fray of well-regarded indies. The "legal procedural" fascinated Ethan Alter not only because it was a "damn fine movie," but also because its insights into everyday life in Iran serve as a "cultural-exchange tool." The drama is Iran's selection for A separation`the Academy Awards' Best Foreign Language film, and it's definitely a contender.



The adult blockbusters Sherlock Holmes: A Game of Shadows, Mission: Impossible--Ghost Protocol, and The Girl with a Dragon Tattoo should continue to make strong showings, and I have particular hope that the third popcorn pic will show holding power. All of these movies have the added bonus of playing just 30% off their peak during the weekdays, since so many people have vacation. For families, it appears that Alvin and the Chipmunks: Chipwrecked will lead, followed by The Adventures of Tintin, We Bought a Zoo, and Hugo.



On Tuesday, Screener will be back from the holiday and reporting on which films brought in 2012 with a bang.