By Sarah Sluis
So last weekend, Bruno did big business on Friday, then dropped dramatically through the weekend. Who's to blame? According to some, Twitter.
An article posted in The Wrap (on Thursday, before the movie released) posited that the new communication tool could spread word-of-mouth reviews even faster, making disappointing films drop before the weekend is through, instead of on their second weekend. Time seconded the article, which was in turn followed by a backlash on Movie Marketing Madness, which cited an even more vehement backlash on The Hot Blog.
The gist is that information is disseminated faster and faster (through Twitter), making movies that are bombs more easily recognizable. However, Bruno was something of a "fan" film, the kind that normally has outsized grosses on Friday because people want to be the first to see it. Couldn't that be the reason? I noted on Monday that most of the other comedies in the top ten (The Proposal, The Hangover) barely dropped at all, indicating that people just weren't that interested in seeing Bruno. Perhaps they felt they had already had their fill of Bruno from all of his talk show appearances, done in character.
Also, Twitter isn't new. It's the same idea as AOL Instant Messenger away messages, which people use to broadcast their whereabouts, and Facebook status updates. The only difference is, it's more visible, which has made it the darling of journalists. Feelings about the Iraq election, for example, could be viewed not only by someone's friends, but the whole world. You can do a Twitter search for "Harry Potter," for example (one of the "hot trending" topics right now) and instantly have access to the vox populi. The "man on the street" is replaced by "Je_taime_Erik: has seen Harry Potter 6 and is impressed." The sheer volume of Harry Potter-related tweets shows the excitement over the film. Even when people grumble about authenticity, they're not giving a negative review, but voicing an opinion that can make people even more eager to see the film, so they can weigh in as well. Bruno, apparently, did not inspire that level of engagement. Negative or positive
tweets don't matter nearly as much as volume. The question to ask is, "Is this the kind of film that people will talk (or tweet) about before and after?
People love talking about films they loved (or hated), and Twitter is
just another place to do that. There's something to be said for the
amount of people on my Facebook (which I prefer over Twitter) who have
their status updates set to "Going tonight Harry Potter" or "[insert comment
about] Harry Potter." It makes the film more of a must-see. Yes,
this happens more quickly than if you were to wait until the next time
you have coffee with your friend or speak to him/her on the telephone.
In focusing on people's impressions of movies after they see them, these journalists often overlook forward-looking statements like "JaRaized: On our way to watch Harry Potter and The Half Blood Prince! Wheeeeeee!" and people saying things like "Going to tonight with [insert friend]" or ""Who wants to go see Harry Potter with me?" Looking at random people's plans can help studios (and journalists) gauge interest and also measure the effectiveness of a marketing campaign. People's tweets do serve as word-of-mouth advertising, and can even recruit audience members. When Sugahill tweeted "I dont have anyone to go see Harry potter with :(", and Etsears tweeted "...Also, I need someone to see Harry Potter with me. Anyone?" I bet it was only a matter of time before these Twitter users found a friend to join them.
I see Twitter as more of a reflection of people's interest in a film, as well as a visible, written version of "word-of-mouth." According to this Nielsen survey, word-of-mouth and online are among the top four ways people hear about a film, but I think it's no coincidence that studio advertising from television and in-theatre are the other big two. Personally, as an 18-34 female speaking, I think people like to see the trailer and commercials for a movie as well as some kind of social reinforcement, whether it's a recommendation from a friend or a pre-release conversation along the lines of "I really want to see this movie!" Twitter is certainly part of that, but it doesn't have the power to make a film bomb over one day.
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