Showing posts with label Mean Girls. Show all posts
Showing posts with label Mean Girls. Show all posts

Monday, February 10, 2014

‘The Lego Movie’ enjoys awesome debut

The Lego Movie successfully built upon the popularity of the Lego toy brand to earn $69 million over the weekend, a stellar debut, and notable for this time of year. The film’s haul is the second highest for the month of February, just behind The Passion of the Christ, which raked in $83.8 million in 2004. The comedy from the team behind the acclaimed Cloudy with a Chance of Meatballs stacks up favorably against other animated original movies – those that are neither prequels nor sequels – as well. Fellow fiscal over-achievers include Up ($68.1 million), The Incredibles ($70.5 million) and reigning champion The Simpsons Movie ($74 million). In terms of a demographic breakdown, the kids flick found broad appeal among older viewers: 59% of attendees were over the age of 18 and were, unsurprisingly, majority male (55%). With strong reviews fueling positive word-of-mouth, The Lego Movie will likely enjoy a healthy theatrical life, one which may boast a cume of around $200 million by the time it has run its course.


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As expected, The Monuments Men clocked in at No. 2 this weekend, with returns that were a little higher than predicted. George Clooney in fact enjoyed his most successful opening yet as a director: The Monuments Men earned $22.7 million. That’s even better than Oscar-winner Argo’s debut ($19.5 million) and places the film in good company alongside contemporary Captain Phillips ($25.7 million). However, the movie’s viewers – most of who were over the age of 35 (75%) – only gave Men a B+ Cinemascore grade, and reviews continue to be unfavorable, with the movie tracking 33% rotten on Rotten Tomatoes. Both these factors portend a steep dropoff this coming weekend, though it’s just as likely the movie’s megawatt cast will continue to draw a steady stream of curious viewers for a little while longer.


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Ride Along’s
comedic chops have and continue to lure audiences week after week. The film dropped just 22 percent to land the No. 3 spot at the box office, grossing $9.4 million. This weekend’s earnings have bumped Ride Along’s cume to $105.2 million, making it the first 2014 release to pass the $100 million mark.


Experiencing a similar slight downturn of only 23%, Frozen added another $6.9 million to its ridiculous total that now stands at $368.7 million. There’s really not much else to say about the animated hit, other than to reiterate widespread delight that the power of the Disney princess has been reinvigorated.


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Female audiences were less enthused by the latest vampire offering, Vampire Academy, a disappointing showing from the once dependable director Mark Waters (Mean Girls, Freaky Friday). As predicted, amid poor reviews, a weak marketing campaign and general blood-sucker fatigue, Academy bombed with $4.1 million. Although a new release, the film did not manage to crack the weekend’s top 5. Instead, the No. 5 slot went to That Awkward Moment, which surprised some pundits with its steady hold. The Zac Efron vehicle eased 37% to gross $5.5 million. Both films target young women, though only one, it seems, is appealing enough for the demographic to really sink its teeth into.



Tuesday, September 9, 2008

Perturbed by Disturbia


By Sarah Sluis

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Disturbia, last year's knockoff of Rear Window, a fact mentioned by every critic to review the film, Film Journal's included, has just been smacked with a lawsuit alleging that it ripped off the short story used for the plot of Rear Window.  DreamWorks (including its co-founder Steven Spielberg), its parent company Viacom, and Universal were named as defendants.  Given the similarity between the two films, it's embarrassing that this was just noticed.  In fact, a similar lawsuit was brought to court in 1998 by Sheldon Abend over television rights to Rear Window, so it's not as if this property has been lying unnoticed since 1954.  Abend, executive producer of Rear Window and owner of the rights, died in 2003, leaving Sheldon Abend Revocable Trust to do the job�and apparently the lawyers are sleeping on the job.





Mean Girls sidekick turned Mamma Mia! star Amanda Seyfried has taken a cue from her other Mean Girls co-star, Rachel McAdams (The Notebook), and signed onto a Nicholas Sparks adaption.  The film, Dear John, chronicles the romance between a do-gooder college student and a soldier on leave.  They fall in love the summer before 9/11, but their romance receives the ultimate test when John goes back overseas after the terrorist attacks.





Up in Toronto, the big news was Fox Searchlight's acquisition of The Wrestler.  With a nod to Mickey Rourke's has-been star persona, he plays a fading semi-pro wrestler who tries to connect with his daughter (Evan Rachel Wood) and a similarly aging stripper (Marisa Tomei) as his success in the ring diminishes.  The film, which won the Golden Lion at Venice, will release in the U.S. this December.  Just in time for Oscar season�could this be another De Niro in Raging Bull?