Showing posts with label joaquin phoenix. Show all posts
Showing posts with label joaquin phoenix. Show all posts

Wednesday, August 18, 2010

What is Joaquin Phoenix doing in 'I'm Still Here'?


By Sarah Sluis

Perhaps you remember about a year ago Joaquin Phoenix announced he was quitting acting.  Soon after, news surfaced that Phoenix was going to film a documentary (or was it a mockumentary?) about his experience leaving the movies and becoming a rapper.  His celebrity friend Casey Affleck would direct.





Now, the trailer is out, giving audiences a first look at the movie, I'm Still Here.











The film is a rather baffling project, especially for a two-time Oscar nominee, and apparently film buyers were unsure about whether the movie was a mockumentary or documentary.  Nevertheless, it was picked up by Magnolia, and will release in less than a month, as a special presentation at the Toronto Film Festival.  I'm not placing much money on it doing well: it has a confusing premise that could likely backfire, and Phoenix is not a public figure that graces the tabloids regularly, which means there is limited interest in his personal life.





What's odd and sad, however, is that his decision to give up acting and pursue music seems like some kind of tribute to his brother.  According to that crowd-sourced encyclopedia Wikipedia, his brother River Phoenix was in the process of developing a career as a musician when he died of a drug overdose outside of a club.  Joaquin was the one who called 911 and tried to save him.  Joaquin Phoenix has had an interesting life in his own right, enough to create a biographical documentary, not a mock one: his family grew up in the cult Children of God before rejecting it and changing their last name from "Bottom" to "Phoenix." He has struggled with fame before, quitting acting for a year after his brother died, and also gone to rehab for alcohol addiction.  Despite the solemn, existential voiceover at the beginning of the trailer, the movie apparently is a hard R, including graphic sex and gross-out moments.  That seems like some hiding from the truths of his life rather than searching for discovery.  Then there's the fact that the production is currently the target of a lawsuit by someone alleging sexual harassment from Affleck.





Despite my reticence to see the movie because I suspect it will be narcissistic and navel-gazing (and, apparently, gross), there's something intriguing about someone who is drawing a thin line between reality and fiction.  Nowadays reality shows have become more scripted, leaving audiences to wonder--was that set up, or was that for real?  Phoenix, though he may loathe to say it, seems to following in the path of those MTV series "Laguna Beach," "The City," and "The Hills," which purported to follow the lives of the cast members but were in fact scripted to an inscrutable degree.  In such a case, the fictional world spills over into the real world. Just as Phoenix acted oddly on "David Letterman," perhaps while in character, the storyline in the MTV shows was extended to the tabloids, which followed the fictional relationships created on television--and to further blur the line, some of them actually existed.





I'm Still Here may hit theatres and generate lots of publicity, or it may quietly fade like so many other specialty releases. But it reflects an impulse in our society to experience "reality," even if that reality is scripted.



Friday, February 13, 2009

Three-day, three-holiday weekend to lure in horror, romcom audiences


By Sarah Sluis

This Friday is Friday the 13th. Valentine's Day actually falls on Date Night. Monday, office workers and kids have the day off, some kicking off a whole week of mid-winter leisure. Hollywood, rejoice. Everyone's going to the movies.

Jason Friday the 13th 2009

The Friday the 13th (3,105 screens) revival, which takes place at roughly the same time as the third installment of the ten-film franchise, has garnered surprisingly affirmative reviews. Calling it an "unapologetically brutal and boneheaded slasher picture," our Ethan Alter conceded that it's "an effective revival of a dormant franchise," an accolade made even more meaningful since the remake comes from production company Platinum Dunes, whose horror redos The Amityville Horror and The Hitcher have not met with similar receptions.

Competing with romcom holdover He's Just Not That Into You, Confessions of a Shopaholic (2,507 screens) definitely has an edge over last week's release. Slightly more optimistic, and definitely lighter and more ebullient,Isla fisher

it's more neutral fare for a couple to see on Valentine's Day. The PG rating ensures that the under 18 audience will

turn out to see the film through the Monday holiday, and I think the appeal to younger audiences will be the film's biggest advantage over HJNTIY. As a kid, my whole fifth-grade class was abuzz for months after the release of Clueless; I forecast a similar reaction to the over-the-top ridiculousness that makes Confessions of a Shopaholic such innocent fun. Also, I pish-posh anyone who claims the movie is poorly timed given the state of the economy. Shall we talk Depression-era musicals?

Fans of Clive Owen and modern architecture will probably enjoy The International (2,364 screens), but apparently these people are few and far between, as the travelogue actioner has been tracking well under expectations. Much to my shock after seeing the film, it was directed by Tom Tykwer of Run Lola Run, a frenetically plotted film with a heroine who did quite a bit more than Naomi Watts does in The International. The cinematography by Frank Griebe is fantastic, as is the extensive use of sleek buildings, which our critic Erica Abeel notes the director uses to "convey sinister forces and emotional states...the gleaming grey-blue corporate suites become the fearsome visual embodiment of corporate might." Too bad Tykwer tasks the buildings with pulling all the emotional weight of the film.

For those close to an IMAX theatre, Under The Sea 3D (49 screens) is a splendid, but short, look into a Under the sea 3d great white

coral reef full of exotic creatures--it's worth admission alone to see the cuttlefish capture its prey with its tentacle-like tongue. If you're curious about Joaquin Phoenix's self-pronounced last performance, and maybe trying to figure out why he acted so weird on David Letterman the other night, Two Lovers (7 screens), a romance set in Brighton Beach, Brooklyn, will roll out in limited release. The much-acclaimed Oscar shutout Gomorrah also opens in limited release (5 screens NY/LA), to show its violent take on modern Italian organized crime. Under director Matteo Garrone, "each frame is skillfully conceived to illustrate entrapment," says our Maria Garcia. Over at FJI we're honoring our Presidents, so we'll recap the surely boffo box office on Tuesday.