Showing posts with label tom cruise. Show all posts
Showing posts with label tom cruise. Show all posts

Tuesday, December 3, 2013

Kaufman carves out piece of film history

Situated in the “suburbs of New York City,” as one member of the press put it, The Kaufman Astoria Studios in Queens, New York, is now the proud home to the city's very first backlot. The space made its official debut earlier today at a well-attended ribbon-cutting ceremony. Though the weather was mild, sunny, and cooperatively ripe for the public display of an outdoor facility, the attenuating press conference was held inside Kaufman studios itself. Journalists and the city’s cultural movers and shakers schmoozed by the set of Amazon’s hit Web series “Alpha House,” though they were cordoned off from the show’s important, breakable items (facades of painted-brick houses and a long, imposing hallway with the look of sterile governmental officiousness about it provided the backdrop for what was really a congenial photo-op for the event’s politician speakers).

After getting off to a late start – not that many of the attendees minded, given the dark chocolate and peanut-butter cupcakes available – several important personages, figureheads and influential personalities alike, discussed the benefits of the new Kaufman Studios backlot. Council Member Jimmy Van Bramer was the day’s master of ceremonies, providing the opening remarks and setting the excited and hopeful, if often self-congratulatory, tone. “We like to think of it as Hollywood East,” he said of the studio space. “What [Head of Kaufman Studios] George Kaufman started here has produced billions – literally billions – of dollars in revenue,” and countless jobs.


1312033_KaufmanRibbon-0138-2.jpg.client.x675[1]Photo credit: Jill Lotenberg

Subsequent speakers, including Senator Charles Schumer, George Kaufman’s right-hand man Hal Rosenbluth, Queens Borough President Helen Marshall, Senator Michael Gianaris, Assembly Member Aravella Simotas, and Senior Vice President of Film, Arts and Culture Development for New York State Rhoda Glickman, each echoed Van Bramer’s sentiments in turn. George Kaufman’s achievement – renovating the studio space after it fell into disrepair around 1980, subsequently revamping New York City’s film industry – was universally lauded, as were the benefits of the city’s film tax exemptions.

“The breaks come back to us – so much money comes back to us,” said Senator Schumer. The reinvigorated movie business has “created hundreds of thousands of good-paying jobs – not tens of thousands,” he was quick to emphasize.

Rosenbluth sounded, “Today is the celebration of a vision coming true,” while Senator Gianaris challenged the haters (none of whom were in attendance). He asked that “for all those who want to be critical, to rewind 10 years… It’s not just the talent, Tom Cruise and Harrison Ford, that’re making money off these productions.” He ticked off carpenters, electricians, and caterers as examples of those who benefit from a healthy entertainment business. Later, Rosenbluth cited the end credits of a film. “Each name [you see] is a job,” he said, “and each company is many jobs.”

George Kaufman, the man of the hour and its least loquacious, spoke briefly of how proud he felt and of his hopes for the future development and success of those projects that utilize the lot.

The conference moved along at a nice clip. Afterwards, the press was invited outside for more officially staged photos, including those that included the cutting of the ribbon. The speakers grouped together before the lot’s gates and beneath an outdoor catwalk, accessible via a broad spiral staircase and headed by large metal letters spelling out “Kaufman.”


1312033_KaufmanRibbon-0175.jpg.client.x675[1]Photo credit: Jill Lotenberg

Though she didn’t speak during the press conference, “Orange is the New Black” actress Dascha Polanco was on hand to discuss her experience filming Netflix’s popular series on the Kaufman property. As someone living on the border of Brooklyn and Queens, she said, she felt “proud” when she first got wind of a Kaufman backlot. “It’s a great representation of how things [here] keep getting better and improve. I’m witnessing history, and that’s an honor.” Not to mention a memorable way to kick off your 30th birthday.

Polanco’s reference to history is apt. Back when it was known as Famous Players Lasky, the studio officially opened for show-business in 1920. It later went on to house Paramount Studios, and, for many years, was the largest film stage outside of Hollywood. Early luminaries like Gloria Swanson, Claudette Colbert and W.C. Fields all starred in productions filmed in the space. More recently, Kaufman studios continues to play host to TV series “Nurse Jackie” and "Sesame Street," as well as “Alpha House” and “Orange is the New Black.” The Bourne Legacy filmed there, as did the upcoming Ben Stiller drama The Secret Life of Walter Mitty.

“This is a game-changer for New York,” Schumer stated. We have the talent, he said, as so many people would rather live here than in California. In other words, and in sum:  “Hollywood, watch out!”



Friday, April 19, 2013

Underripe 'Oblivion' offers a taste of summer movie season

Oblivion is a visual effects-heavy sci-fi movie. It's releasing in IMAX. It stars Tom Cruise. Maybe a decade ago, these things would give the movie prime placement in the summer movie season. But now Cruise is clocking well over two decades in the movie business, and he's settling for slightly less competitive spots on the release slate. Our critic Daniel Eagan likes Oblivion (3,782 theatres), but he's also quick to point out that the "sleek, good-looking
sci-fi adventure [is] haunted by the ghosts of better films," and predicts it "should make a
splash at the box office until more mainstream blockbusters take
over." Oblivion could open in the high $30 million range in the U.S. Overseas, it's already racked up $77 million, affirming the international box office's interest in tentpoles with known quantities like Cruise.

Oblivion Tom Cruise Olga Kurylenko

With no other similar competitors, 42 is expected to hold strong. Its second weekend could be off by just 25%, which would give the Jackie Robinson biopic an impressive second-week total of $20 million. Although most school holidays are wrapping up, The Croods should earn over $10 million, which will bring it over the $150 million mark domestically and make it one of DreamWorks Animation's bigger successes.


The Place Beyond the Pines will expand to 1,542 theatres in its fourth week. The Ryan Gosling-led picture expanded into over 500 screens last week and maintained a $7,000 per-screen average. The humanistic crime drama should do at least as well this week as it did last week, bolstered by strong indie cred and the supporting performances of Eva Mendes and Bradley Cooper.


Rocker/filmmaker Rob Zombie will roll out his fifth film, The Lords of Salem, in 300 theatres. "Is Rob Zombie the Woody Allen of horror auteurs?" Our critic Maitland McDonagh speculates. Not only does he assemble an impressive cast, he "has the look of a
low-budget '70s horror film down cold, and it's packed with
allusions to genre classics and cult favorites." That may be enough to make the horror flick a hit among guts-and-gore afficianados.


On Monday, we'll see if Oblivion jump-started the summer movie season and if the solitary new wide release gave the returning pictures some breathing room.



Thursday, March 26, 2009

Coupling off: Studios attaching stars to their rom-coms


By Sarah Sluis

Love is in the air. News of developing romantic comedies just keeps on coming:

First, it was Cameron Diaz announcing she will star in Swingles, a tired-sounding romantic comedy with

an inevitable coupling you can see miles away. She will play an acerbic woman who serves as a What happens in vegas

replacement wingman for a hard-to-please guy who has been dumped by his (male) wingman. I see a little Hitch in here, a little battle-of-the-sexes, but this movie better be filled to the brim with jokes in order to get it past the premise.

Then, third-time's-the-charm, a currently untitled romantic comedy, previously titled Wichita and Trouble Man, has again been dredged up as a possible romance between Tom Cruise and Cameron Diaz. Cruise is also considering presidential thriller The 28th Amendment, so this is likely just one of many announcements that will take place as the star settles on his next project. If it goes forward, Cruise would play a man who mysteriously pops up into a lovelorn Diaz's life after one blind date.

Rashida Jones, fresh off her star turn as Paul Rudd's fiance in I Love You, Man, has been cast in spec project Celeste and Jesse Forever. The script follows a young, divorcing couple who try to remain friends as they forge new relationships and separate lives. It sounds quirky and unusual, and all the more so if they don't end up back together in the end (terrible, I know).

ThreeStooges-backgroundWhile not romantic, it's also worth mentioning that the Farrelly Brothers' incarnation of The Three Stooges has tightened its cast list: Sean Penn will be Larry, Jim Carrey plus forty pounds will be Curly, and Benicio Del Toro (hopefully) will be Moe. A project of passion that has cycled through studios for a decade, it's hoped that a fall production will make for a 2010 release date.