'Unstoppable' up against 'Morning Glory,' 'Skyline'

By Sarah Sluis

Director Tony Scott switches tracks with Unstoppable (3,207 theatres), a runaway train action film that follows up his train-hostage movie, The Taking of Pelham 1 2 3, which also starred Denzel Washington. According to critic Ethan Alter, it's more of the same--"solid but unexceptional." He pegs Scott as a genre director, who has achieved various degrees of success with his "slick, violent, male-dominated action movies." It may be a formula film, but it's one that's expected to compete for first place this weekend against the animated family film Megamind, which should earn at least $20 million in its second weekend.

Morning Glory (2,518 theatres) opened on Wednesday to $1 million, behind two already-playing films, Megamind and Due Date. That puts the workplace romantic comedy at a disadvantage for the weekend. Critic Rex Roberts lamented the "poorly imagined or undeveloped" characters, "although watching them run through their set-pieces provokes enough chuckles to keep us in our seats until the final telegraphed plot twist sends us off into the sunrise." With its age-diverse cast and friendly subject matter, Morning Glory will live or die by word-of-mouth, so audiences will have to love this movie more than critics have (it's tracking at 55% on Rotten Tomatoes).

The trailer for Skyline (2,880 theatres) is reminiscent of Independence Day, with huge spaceships hovering above America's biggest cities. Though the special effects are impressive, which makes sense given the special effects background of the directors, the story itself appears to never rise above made-for-TV standards. "Don't waste your time trying to work out what's going on. It's clear by the end that the filmmakers had no idea either," THR critic Megan Lehmann advises.

Tiny Furniture, from promising indie filmmaker Lena Dunham, will open in one theatre in New York City. I praised the film back when it played at BAM Cinema Fest. Though not as enthusiastic about the slice-of-life, introspective movie, critic Maria Garcia pointed out the similarities between Dunham and Woody Allen, but also mused that the movie could be considered "a cinematic blog chronicling the nihilism of twenty-something-year-olds."

The anti-global warming documentary Cool It will hit 41 theatres. "Cool It is at its most effective when it stops dwelling on what that film�and the scientific community at large�gets wrong about global warming and instead focuses on what practical suggestions they have to offer," critic Ethan Alter concludes. The documentary's antagonist stance to blockbuster An Inconvenient Truth could either help or hurt the movie.

On Monday, we'll see if Unstoppable was able to unseat its superhero competitor, Megamind, if audiences were lured to Skyline and if Morning Glory was able to get itself back on track. Fair Game will also expand from 46 to 175 theatres, giving the movie a chance to try to repeat its $14,000 per-screen average in more theatres.

'Funny People' looks out for number one

By Sarah Sluis

While almost everyone in the industry thinks Funny People (3,008 screens) will be able to grab the number one spot this weekend, its exact gross is more uncertain, with estimates ranging from $20 to $30 million. The film itself is similarly ambiguous, uneven and not immediately satisfying. It's the kind of movie you keep on thinking about after the lights go up. While I liked it far less than The 40-Year-Old Virgin or Knocked Up, it's a film I would want to revisit a few more Judd Apatow pictures down the line. Since Universal announced today that it signed a three-picture deal with Apatow, including an option for him to make films outside the studio, it looks as though the writer-director will have several more chances to add to his body of work. FJI's Executive Editor Kevin Lally called the death-centered comedy Apatow's "most ambitious film, which is both a good and bad thing for the audience. Good, because he's not playing it safe and repeating himself; bad, because the movie falls short of fulfilling its risky ambitions." I suspect this movie will underperform, but its risk-taking increases my respect for Apatow as a director.

Going to battle against the numerous kid films in release, Aliens in the Attic will open in 3,106 theatres. It's expected to perform below Harry Potter 6 and G-Force, making it a likely candidate for the number four spot. With its horror-lite tone and High School Musical star Ashley Tisdale, the movie is likely to do best among young boys.

Horror film The Collector will scare audiences in 1,325 theatres. While the movie wasn't screened for critics, its trailer has rather striking visuals, and the tale comes from the writers of the Saw sequels. The premise is intriguingly moralistic: a thief breaks into a house, only to discover that the family has been held captive by something or someone far more sinister--and he helps save the family he intended to rob.

On the specialty front, documentary The Cove opens in 4 theatres. The filmmaking activists pursue their goal--to record the inhumane slaughter of dolphins in Taiji, Japan--Ocean's Eleven style, adding suspense and allowing the audience to viacriously join the crusade. Vampire film Thirst opens on 4 screens. I adored the "cinematic maelstrom of bloodlust and sensual obsession projected through Park Chan-wook's runaway imagination," but its graphic, depraved representation can be difficult to watch and is certainly not for everyone. Adam, a "sensitive but not sentimental" romance in which one party has Asperger's, opened Wednesday on 4 screens, and Lorna's Silence, a Danish film from the award-wnning Dardennes Brothers about the relationship between a drug addict and the woman who married him for immigration reasons, will appear on 6 screens in New York and L.A. For family audiences and those seeking specialty fare (I would almost count Funny People in that category), it's another jam-packed summer weekend.