Assembling the cast for 'The Book Thief'

Like many kids, I was fascinated with the Holocaust and World War II growing up. Newbery Award-winning novel Number the Stars, which features a girl whose Jewish friend is threatened by Nazis, was required reading. Orphans have always been literary favorites, because these novels give their child protagonists independence that's uncharacteristic for kids. Combine that with living in a
secret hiding place, and the blend is absolutely thrilling--which is not to say that kids don't understand the gravity of the historical fiction or non-fiction they're reading. In recent years, enthusiasm for the genre hasn't died down. Now The Book Thief, which tops the "Amazon Best Sellers for Children's Holocaust Fiction" (yes, you read that category right, and it only covers the top 100) is being turned into a movie.

Sophie Nelisee (Anna Karenina, War Horse) will star as the title character, The Book Thief. The Munich-based foster child finds comfort and salvation in books during a time of war. Her foster parents, who will be played by Geoffrey Rush and Emily Watson, also take a Jewish man (Ben Schnetzer) into hiding. Tonally, the movie has the potential to be more Inglourious Basterds than The Reader. The book by Marcus Zusak is narrated by Death, and is filled with dark comedy that has drawn in adults and young readers alike. That may be enough to set this story apart from the large pack of novels covering the same topic.

Brian Percival of "Downton Abbey" is directing. Now that the leading cast is assembled, the Fox 2000 project will begin shooting next month in Berlin.

'Warm Bodies' heats up a cool weekend

At least teens had a good movie to go to this weekend. Viewers under the age of 18 gave an "A" CinemaScore rating to Warm Bodies, which debuted in line with expectations, to the tune of $19.5 million. People over the age of 18 lowered the overall score to a "B+." Much of the success of this zombie love story is owed to Summit, which has had plenty of experiencing marketing
supernatural romances to teens thanks to the runaway success of the Twilight series. They even did late-night Thursday screenings, which inched the movie's cumulative total to $20.03 million.

For a while, aging action stars were officially a thing (see: Taken, Red, The Expendables), but it could be that the market for these pictures has cooled off, especially when the stars are playing it straight. That could explain the poor debut of Sylvester Stallone in  Bullet to the Head, which came up with just $4.5 million. Sure, there were fewer audiences on Sunday because of the Super Bowl, but this also comes just weeks after Arnold Schwarzenegger's The Last Stand also had an opening in the single
millions, $6.3 million.

Still, Bullet to the Head did just fine compared to the opening of Stand Up Guys, which had a below-top-ten debt of $1.5 million. The limited release did have a higher per-screen average ($2,200) than Bullet to the Head, ($1,800 per screen), but that's not that big of a difference. Since Stand Up Guys went a more limited route, it has more of a chance to build an audience in coming weeks, however.

The Oscar nominee box office award of the week is a...tie. Silver Linings Playbook
showed a remarkable hold, rising from fourth to third place with $8.1 million, just 15% off from last week. Argo added 300 screens and went up 16% from last week for an additional $2.1 million.

Oscar-nominated documentary The Gatekeepers got off to a decent start, averaging $22,000 per screen in two locations. Koch, the documentary about Ed Koch, the former New York City mayor who died on Friday opening day, finished with a $20,000 per screen average on two screens.

On Friday, Bridesmaids breakout star Melissa McCarthy gets a whole movie to have fun in, Identity Thief, Steven Soderbergh directs the pharmaceutical thriller Side Effects, and Top Gun unleashes those fighter jets in 3D.

'Warm Bodies' should lead during Super Bowl weekend

The Super Bowl weekend isn't as big of a movie dead zone as it used to be. Not only is there a picture targeted at female teenagers, the usual counter-programming for the football weekend, but there are also two movies aimed at adult males, though business will likely be best for those on Friday and Saturday.

Warm Bodies (3,009 theatres) follows the path tread by Twilight: a creature that should be in a horror film (vampire, zombie) is actually kind, and ends up falling in love with a teen girl. But this iteration is not just a romance, but also incorporates elements of apocalypse movies, horror/action
films, and comedies. "If Twilight were funnier, had a more
proactive heroine and an uglier hero, it might be Warm
Bodies," I sum up in my review. While marketing a zombie movie that combines so many genres might have been a challenge, it appears that Summit has done a good job explaining the film and revving up interest. The Nicholas Hoult-led picture should approach the $20 million mark, a great start, especially with Valentine's Day coming up in a couple of weeks.

Sylvester Stallone "plays to his base" in a "gratifying return to the action genre," Bullet to the Head (2,404 theatres). With Sunday returns likely to be dampened by the Super Bowl, a finish in the $8-10 million range is
expected. Critic Daniel Eagan predicts fans will be happy, but younger viewers may find themselves alienated as Stallone delivers on the action checklist with an "efficiency that borders on
the impersonal."

Competing for the adult male audience, Stand Up Guys (659 theatres) stars Oscar winners Al Pacino, Christopher Walken and Alan
Arkin. The mobster comedy offers "an entertaining yet sobering portrayal of
not-so-wise guys who do not go gently into a no-good night. THR's Duane Byrge predicts it
"should play well with older audiences with a feel for the actors
and this flavor of humor." Without a lot of support and with another film angling for the same demographic, Stand Up Guys may only round up a few million.

There will also be some new Oscar-nominated films to check out. The Gatekeepers (2 theatres) an Oscar-nominated documentary that features interviews with former leaders of Israel's secret service, Shin Bet, offers a "complicated cocktail of a film sure to send audience members out of the theatre with heads abuzz and arguments a-popping," reports FJI's Chris Barsanti. All of the Oscar-nominated shorts will play at New York City's IFC Center, including the Animated Short Films 2013, Documentary Shorts 2013, and Live Action Shorts 2013. Queue up for a marathon viewing session!

Former New York City mayor Ed Koch just passed away, and the documentary Koch (2 theatres) offers an opportunity to remember and reflect on the leader. This "comprehensive" doc is no hagiography. "Made with the former mayor's cooperation," reports THR's John DeFore, it still gives "ample screen
time to those with harsh things to say about him" Sounds like as fair a shake as a politician can get.

On Monday, we'll find out which films scored the most points with fans over the weekend (and either celebrate or commiserate on the outcome of the Ravens vs. the 49ers).

Bradley Cooper and Omar Sy pair up for 'Chef'

Omar Sy starred in the French hit The Intouchables. Bradley Cooper segued from The Hangover to Silver Linings Playbook and The Place Beyond the Pines. And thanks to a fortuitous set of connections, the two will star in Chef. The Weinstein Co., which released both The Intouchables and Silver Linings Playbook, has international distribution rights to the comedy, which centers on Cooper as the disgraced chef of a Michelin-starred restaurant in France. He absconds to London, where he
opens up a new restaurant with the help of Sy. Cooper has not only played a chef before, in the sitcom "Kitchen Confidential," he speaks fluent French. That may come into play if there is a smattering of French dialogue (and I bet Cooper dubs himself), but it also may help him and Sy strike up conversations on the set.

Yet another connection ties the project together. Derek Cianfrance (Blue Valentine), who directed Cooper in The Place Beyond the Pines, will helm. Cianfrance has mainly focused on dramas, so the move to comedy is a surprising one. My bet is that this is the kind of movie where plot comes before comedy, my favorite kind. Right now, Cooper's the one with the busiest schedule, though Cianfrance and Sy also have projects on the table. Steven Knight (Eastern Promises) a screenwriter whose works are often set in London or involve immigration, will pen the tale--considerably lighter than his usual fare. With no set production start date, it might be a while before Chef takes off, but it has all the ingredients needed to cook up another specialty hit from the Weinsteins.

'Spider-Man' franchise eyes more fresh-faced actresses to play romantic leads

The Spider-Man franchise appears to have a type for Peter Parker's leading lady. From Kirsten Dunst to Emma Stone and Shailene Woodley, the role opposite Spider-Man has been a sign that an actress is on the verge of making it. These actresses are also the kind who tend to favor dramas, comedies--anything but action fare. In the early-aughts franchise, Kirsten Dunst played Mary Jane. Before that role, her work spanned fare ranging from Interview with a Vampire to teen comedies like Bring It On to indie flicks like The Virgin Suicides. But she had never had an action role before--or since. Bryce Dallas Howard joined the franchise in its third installment, with a similar smattering of credits. She did one more action movie, Terminator Salavation, but is more known for roles in The Village and The Help. The relaunch of The Amazing Spider-Man in 2012
introduced  as Gwen Stacy actress Emma Stone, who had a similar background to Dunst. Stone had done teen comedies, like Easy A and The House Bunny, critical favorite The Help, and Zombieland. She was just a little light on the indies.

Now casting is underway for The Amazing Spider-Man 2, and it appears the spot of Mary Jane is going to yet another young actress with plenty of momentum: Shailene Woodley, who has charmed teens and their parents in "The Secret Life of the American Teenager" (because TV is the new film anyway) and snapped up some indie roles in The Descendants and recent Sundance selection The Spectacular Now. It's safe to say Woodley is on her way to being a big star.

Apparently The Amazing Spider-Man 2 is breaking with form, however, because not only will Woodley and Stone (probably on her way out) appear in the sequel, there's a third role for a female. The latest news is that Felicity Jones (indie actress of Like Crazy) will join the cast, with Paul Giamatti also in talks to join as a villain, Rhino. Jones, Stone, and Woodley make quite the trifecta of actresses. However, the fact that the deals haven't been finalized yet may be cause for doubt.

Variety also reports today that people have the right to be suspicious of preliminary casting announcements. In this day and age, studio execs pay attention to the reaction in social media to potential casting announcements. A chorus of "yay" or "nay" may be enough to clinch one casting, while making another one fall through. Looking through tweets reporting the announcement, I didn't see any polarized reactions. I expect something like the trailer--long after casting has finished--is more likely to elicit a tweet from a fan proclaiming that a person is completely right or wrong for a role. The Amazing Spider-Man 2 is set to release next May, and hopefully Jones' role won't remain a secret until then.

 

'Hansel & Gretel' on top while 'Parker,' 'Movie 43' struggle

This week, all it took to be at the top of the box office was $19 million. Hansel & Gretel: Witch Hunters grabbed the top spot, but the box office as a whole was slightly dampened because of snow on the East Coast Friday night. Hansel & Gretel would have earned even less if there hadn't
been 3D surcharges. Fellow new releases Parker and Movie 43 also bombed with audiences, but returning features fared much better.

Parker finished fifth with $7 million. The adult-leaning actioner had plenty of R-rated competition, which made it hard for the Jason Statham-led actioner to break from the pack. It's likely many moviegoers opted for a must-see awards contender instead. In fact, it was an especially good weekend for R-rated Oscar nominees Silver Linings Playbook, Zero Dark Thirty, and Django Unchained. Silver Linings Playbook was off just 7% from the previous week, an impressive hold, especially given that last weekend included the MLK holiday. That gave the romantic comedy another $10 million for a $69 million cumulative total to date, not bad for a picture reported to have cost just $21 million. Zero Dark Thirty was off 38% to $9.8 million. Django Unchained also posted a dip of just 35% for a finish at $5 million--bringing it
just shy of a $150 million domestic total.

Jessica Chastain's other release, Mama, placed two spots higher than ZDT with $12.8 million. It was just one of two PG-13 picture in the top ten (PG-13 Les Miserables placed tenth with $3.9 million). Mama is getting a boost not only because star Chastain is an Oscar nominee, but because of the dearth of PG-13 options. Maybe Parker would have fared better if it had a more inclusive rating.

The decidedly juvenile but R-rated Movie 43 bombed with just $5 million. The collection
of comedy skits featured huge names, but I'm sure all those stars' daily rates added together would cost most than the $5 million it totaled for the weekend. This may be the kind of raunchy comedy that gets more traction in the aftermarket, where kids have an easier time seeing R-rated movies--because this clearly isn't the kind of movie an adult finds funny.

This Friday, Sylvester Stallone stars in Bullet to the Head, Warm Bodies will make a grab for the Twilight audience, and Al Pacino and Christopher Walken are Stand Up Guys.

'Hansel and Gretel: Witch Hunters' to lead late-January releases

It's pretty unusual to have two wide releases open over the weekend with minimal advance reviews. If you want a sign that January is Hollywood's dumping ground, this is it.

Hansel and Gretel: Witch Hunters (3,372 theatres), which may have the best title since Snakes on a Plane, will likely come up first this weekend, with a projected weekend gross around $20 million. Originally scheduled to release last March, the pic will benefit slightly from increased
awareness of star Jeremy Renner. Since his breakout role in The Hurt Locker, he's appeared in The Avengers and The Bourne Legacy, making him more of a draw. Gemma Arterton plays Gretel in this tale, which posits that Hansel & Gretel grew up to seek vengeance (and collect bounty) on witches. If it sounds ridiculous, that's because Will Ferrell and Adam McKay are two of the producers, after which the idea starts to make more sense. "Lots of anachronisms and tongue-in-cheek
dialogue establish the spoofy nature of this violent venture. All
that’s missing is a genuine sense of wit," THR's Stephen Farber reports.

Movie 43 (2,023 theatres) also moved around release dates a number of times before settling for the January doldrums. The cast includes dozens of big names ranging from Seth MacFarlane to
Kate Winslet, with many pitching in on writing and directing. The spoof comedy should get close to $10 million, but could be hurt by the scattered impressions of what this comedy actually is.

Parker (2,224 theatres) is the sole new wide release that screened more than a day in advance for most critics. There may be a reason for that: our critic Daniel Eagan raves that the role of Parker, a character in Donald Westlake novels, "fits action star Jason Statham like a glove." The pacing is also top-notch. "The first hour has a propulsive energy that has
been sadly missing from recent thrillers," Eagan declares, and a lag afterwards is redeemed by a "climactic heist and showdown."
However good Statham is in his action movies, they've been opening below $10 million lately, and a similar debut is expected for Parker.

With so many good movies from December now expanding their release, allowing viewers from all over the country to finally catch them in their hometown, there isn't much new product. However, Music Box Films will release the documentary Happy People: A Year in the Taiga, which Werner Herzog re-edited and narrated from a Russian film, and then taking a co-directing credit for his work. I recommend the movie as "a welcome antidote for coddled city dwellers who need a reminder that humanity survived before Internet connections," although I don't care if you eventually see it on Netflix instead of in a movie theatre.

 On Monday, we'll see if any of the three new wide releases exceeded their modest projections, and if any Oscar contenders picked up steam from the box office.