By Sarah Sluis
Alien-takeover remake The Day the Earth Stood Still will invade the box office this weekend, playing on 3,560 screens and ensuring at least some people will opt to enter one of those hourly multiplex showings. Keanu Reeves does his blank-faced best as Klaatu. Like The Matrix, the movie appears to be heavy with religious symbolism, with Reeves once again playing a Christ figure who raises people from the dead and walks on water. The 1951 version used the national fear over the atom bomb to great effect; the remake replaces bombs with our environmental problems, but falls short, leading our Daniel Eagan to conclude that director Scott Derrickson "didn't find a way to make The Day the Earth Stood
Still
meaningful for a modern-day audience." If you've worn out your copies of those alien disaster movies of the past twelve years--Independence Day, The Day After Tomorrow, or The War of the Worlds--you'll probably get more of the same-old here.
Gran Torino releases today in 6 theatres, joining The Reader, which opened Wednesday on 8 screens. The movie has garnered some positive reviews, with critics assenting that it's a good Eastwood film-- our Rex Roberts notes the director has "the singular ability to turn bombast into poignancy." But, like Changeling, the film is certainly not Clint's best work. Eastwood plays a racist holdout in an ethnically diverse neighborhood, who befriends a young Hmong neighbor after the boy is bullied into playing out Grand Auto Theft with Eastwood's prized car. Taking a note from those teen actresses that parlay their popularity into recording deals, Eastwood sings a song over the credits. Of course, given that it's Clint, there's considerably more dignity involved.
The Debra Messing/John LeGuizamo-starrer Nothing Like The Holidays will open on 1,671 screens. A serviceable, "clich-ridden story," its execution and attention to detail redeem the home-for-the-holidays plot. Our David Noh praised the script for details like Messing's "desperate assimilating attempts to speak Spanish with a torturously 'correct' accent." Much of Beverly Hills Chihuahua's heat came from Hispanic viewers, but whether Overture Films will be able to successfully mobilize this demographic for the movie will have to wait until Monday.
Animated fairy tale Delgo (2,160 screens), a multi-millionaire's pet project, opens today, and I sincerely hope audiences avoid this debacle. Didn't someone tell the millionaire that your anthromorphized
characters are supposed to look cute? Featuring the ugliest dinosaur-esque creatures, rendered in "videogame-quality CGI," according to Frank Lovece, the film seems terribly wishy-washy, ending with a climax that "flogs the verity of compassion, touting it as a good and important thing...and then shows how you're an idiot for being compassionate." The film's ten-year gestation film is also apparent through its casting choices. Erstwhile teen stars Freddie Prinze, Jr. and Jennifer Love Hewitt no longer have the same draw they did back in 1997's I Know What You Did Last Summer, and the memorable actress Anne Bancroft passed away before the film's completion. I wouldn't even pick up the film in a $4.99 DVD bargain bin, because then I would have to look at those awful dinosaur things.
No comments:
Post a Comment