By Sarah Sluis
Date Night triumphed this weekend over action epic Clash of the Titans, which many assumed would take the top spot for the second week in a row. A strong performance from Date Night, coupled with a steeper- than-average drop for Clash, clinched the close 1-2 finish ($27.1 million for Date Night, $26.8 million for Clash).
I think the steep drop of Clash is a good thing for the industry. 3D has proved to be hugely profitable, but most critics (and some audiences) seemed to think that the last-minute 2D to 3D conversion of Clash looked poor. While a 56% drop is consistent with male-driven action movies, it also indicates that 3D doesn't guarantee long, profitable runs.
[Update: Clash ended up in first place when the final numbers came in, with $26.6 million to Date Night's $25.2 million]
How to Train Your Dragon did even better in its third week. Ticket sales for the 3D animated movie tapered off just 12%, giving the movie a $25.3 million weekend. Strong weekday sales from Spring Breakers have brought the cumulative gross to $133.8 million in three weeks.
Tyler Perry's How Did I Get Married Too dropped a heavy 62% to $11 million. Perry's movies typically draw strong opening weekend crowds and have high drop-off rates.
Another movie with a Spring Break audience, Diary of a Wimpy Kid, fell just 22% to $4.1 million. Miley Cyrus-starring The Last Song dipped a manageable 37% to $10 million, and Alice in Wonderland steadied its fall this week with a 31% drop to $5.6 million.
Vivendi's Letters to God cracked the top ten with a $1.2 million. Though David Nixon, the producer of the inspirational Fireproof, produced and directed the movie, it was not nearly as successful. Its $1,300 per-screen gross was far less than the $8,000 per-screen Fireproof boasted, a true apples-to-apples comparison since both movies opened on around 800 screens.
Specialty release Everyone Else, a strongly-reviewed German-language movie about a couple's unraveling after they meet another couple just like them...only better, had the highest per-screen average, $11,400, of any film released this week.
This Friday, the superhero action-comedy with a bite, Kick-Ass, opens alongside Death at a Funeral, a remake of a British film that is cast primarily with black actors, including Chris Rock.
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