By Sarah Sluis
Audiences looking for entertainment this weekend will be hard-pressed to find a new offering with rave reviews. Leading the pack is CBS Films' The Back-Up Plan (3,280 theatres), a tired romantic comedy
about a woman (Jennifer Lopez) who falls for the perfect guy just as she becomes pregnant with a child conceived with a sperm donor. When I reviewed the movie, I concluded that there's "nothing to see for anyone who's already viewed their fair share of formulaic romantic comedies." Still, for those that enjoy that kind of film, the experience will be "a not very good and yet painless waste of time," as A.O. Scott of the The New York Times so aptly put. The movie is expected to open in the teen millions. A debut on the low end of expectations could put it behind How to Train Your Dragon, which should also post a teen-million figure.
An action-adventure film with an intriguing cast and not much else, The Losers (2,396 theatres), also comes with a caveat emptor. FJI critic Ethan Alter cautions that "the real losers are those folks tricked into forking
over good money to see this dumbed-down adaptation of the popular comic book." The adaptation follows a group of CIA special operatives who are ordered killed by someone in their own agency. They escape death and turn to wreaking vengeance on the hit man. The cast includes action alums such as Zoe Saldana (Avatar) Chris Evans (Star Trek) and Jeffrey Dean Morgan (Watchmen). Unfortunately, they seem stuck in a movie that seems disorganized and extensively re-worked. This movie is expected to barely cross over into the ten-million range.
After opening yesterday, Earth Day, Oceans will go into the weekend on 1,206 screens, a high number for a nature documentary. The film has already earned $54 million overseas, boding well for its U.S. release. Last
year's Disneynature Earth Day release, Earth, earned $8.8 million its opening weekend on a similar number of screens, so Oceans will probably open in line with those numbers.
The specialty releases this week are a mixed bag. Daniel Eagan despised the "sloppy, thoughtless" documentary Behind the Burly Q (NY), which tries to glorify burlesque while glossing over the drug and sexual abuse that goes along with the profession. Those in the mood to see people with questionable morals would be better served by viewing the "gaggle of (take your pick) hugely rich, greedy, sneaky, promiscuous, self-serving, coke-indulging, desperate denizens of the contemporary art world" in Boogie Woogie (NY).
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