One thing's certain this weekend: Oz the Great and Powerful will place first for the second week in a row. The special effects fantasy should drop a bit less than 50% and earn in the mid-$40 millions. While it's not quite as strong as Disney's 2010 fantasy Alice in Wonderland, the studio did a pretty good job of replicating that successful formula.
Steve Carell and Jim Carrey play rival magicians in The Incredible Burt Wonderstone (3,160 theatres). The last time the comedy duo starred together, Carell was the up-and-comer and Carrey was the big draw. Now, Carell's the big comedy star and Carrey's the one playing second fiddle. The "consistently entertaining diversion" benefits from "a gifted cast that puts a fresh spin on even the most
tried-and-true crowd-pleaser plot developments,"declares FJI critic Michael Sauter. The comedy should approach $20 million. Maybe the success of Identity Thief has put audiences in a good mood and brightened the market for comedies.
Halle Berry plays a 911 operator who gets a call from a girl (Abigail Breslin) who has been kidnapped and confined to a car trunk in The Call (2,507 theatres). Although the thriller is "sometimes straightforward and familiar," notes critic Doris Toumarkine, " it
effectively
revs up audiences and gets them cheering for the good
guys." It's possible the thriller will play like the female version of Taken, and resonate with older female moviegoers.
Reactions to Spring Breakers (3 theatres) have been extreme. Some are focusing on its provenance, from auteur Harmony Korine, but FJI critic David Noh sees the bikini-filled picture as just a "commercial wannabe that still suffers from art-house pretensions." He found the "wild and wooly update of Where
the Boys Are" to be "scarily, snarkily
representative of a generation," which made him "want to weep for the future." New York's David Edelstein mused that it might be "among the perviest movies ever made — although by spelling out
why, I fear I’ll only make some people want to see it more." Not many raunchy R-rated teen movies elicit such detailed takedowns, so it's fair to say this one is (probably purposely) aggressively offensive.
On Monday, we'll see if The Incredible Burt Wonderstone provided a light comedic counterpoint to the March behemoth Oz the Great and Powerful, and if Spring Breakers proved that sex sells.
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