Interpreting the Golden Globe nominations

By Sarah Sluis

This year's Golden Globe nominations confirmed that The Artist will not be sidelined solely because it's a black-and-white silent. Indeed, I think the movie's antiquated format actually works in its favor. Audiences are delighted to find that they're not bored, but charmed. The Artist is very audience-accessible. It's also rife with the warm-fuzzies that Academy voters in particular love, making me think it will do similarly well once the Oscar nominations come out.

Two movies that have barely screened for critics failed to grab many nominations. The Girl with the Dragon Tattoo only got two nominations, one for Rooney Mara in the Best Actress category, and one for Best Musical Score. Extremely Loud and Incredibly Close scored a shocking zero nominations. Most critics (perhaps including the foreign press?) haven't seen the Dec. 28 release yet. Is it a stinker?

I liked seeing 50/50 grab a couple nominations. I thought the cancer drama-comedy starring Joseph Gordon-Levitt and Seth Rogen worked quite well. It doesn't have the lasting resonance I look for in an out-of-the-park movie, but it's rare that a low-budget comedy--marketed with lots of medical marijuana jokes--grabs the attention of critical movers-and-shakers.

The Help, too, has been long expected to make a strong showing in awards season, and its five nominations attest that this was one of the best movies an adult could have seen this summer. The historical drama was nominated in the drama category, despite its many lighter moments--enough to have placed it in the comedy section if that field was more of a lock. Viola Davis, Octavia Spencer, and Jessica Chastain all earned acting nominations, with the latter two in the supporting category.

I think Young Adult deserved more than its single nomination for Charlize Theron as Best Actress. Maybe it could have earned more votes if the movie's heroine followed a path to redemption, instead of ending up the same. The Descendants, which also features a hero in a time with crisis, fared better. It earned five nominations, tying with The Help with the second-highest number.

In general, this year has been a inconclusive one for awards-seeking films. There is no single movie ending up with double-digit nominations--and I doubt there will be. There's a flip side to this, at least in critical roundups. I've been more interested in which small independent movies made "top" lists (like NY Times' and Slate's) and less interested in which of the mostly B+/A- mainstream movies ended up in the running. There are many films to check out this awards season, but no one film will generate all the noise. And that might be a good thing.

'50/50' has a chance at making the top spot

By Sarah Sluis

Joseph Gordon-Levitt stars as a cancer patient in the dramedy 50/50 (2,458 theatres). The ads I've seen have gone for the stoner comedy angle, which has also been helped by the presence of dude actor Seth Rogen, who plays the man's friend. The casting and marketing should make the cancer-themed
movie an easier sell, and there's a chance a mid-teen millions opening will drive this picture to the top spot. 50/50 will have tough competition from The Lion King, which has reigned at the box office for the past two weeks, as well as Moneyball and feel-good family pic Dolphin Tale. These three titles should hold above $10 million.

Thanks to the "essential mystery of casting," the romantic comedy What's Your Number? (3,002 theatres) gets a thumbs-up from David Noh. Anna Faris, who's similarly enlivened stereotypical roles in movies like The House Bunny (a surprise hit), stars as a woman who decides she's slept with too many guys and tracks down her previous sexual partners in search of Mr. Right. Faris' "delectably quirky grace" should bring this movie above $10 million, but still lower than The House Bunny's $14.6 million summer debut.

Stars Daniel Craig and Rachel Weisz met on the set of Dream House (2,660 theatres), later getting married. Considering that Dream House didn't screen for critics, it appears that Weisz and Craig were too busy giving each other googly eyes to widen their eyes in faux-fear and possibly save what looks to be a bad horror movie.

The faith-based production company behind Fireproof returns with Courageous (1,161 theatres), the tale of four police officers struggling with their religion. With over $2 million in advance ticket sales, this movie could surprise by driving infrequent moviegoers to the theatres.

On the specialty circuit, the fabulous character actor Michael Shannon stars in Take Shelter (3 theatres) as a man haunted by visions of an epic storm that may or may not be signs that he's delusional. The ever-present Jessica Chastain (The Help, The Debt, The Tree of Life) co-stars as his wife in the "eerie drama" critic Kevin Lally found "gripping." I reviewed Margaret (2 theatres), a drama I found imperfect in whole but composed of beautifully rendered scenes. The long-delayed movie is worth seeing for these moments of artistry, or as a cautionary tale of a film stuck for years due to lawsuits, indecision, and politics.

On Monday, we'll see where the half-dozen films in close competition land in the top ten.