'Dolphin Tale' swims ahead of new releases

By Sarah Sluis

Despite four new movies opening wide, the top three spots at the box office were taken by holdovers. Dolphin Tale rose to first place, dipping just 25% to $14.2 million. The PG-rated inspirational film attracted families and faith-based audiences. Since The Lion King was billed as just a two-week run, the animated 3D re-release dove 50% to $11 million as many family viewers opted for Dolphin Tale instead. The re-release of the animated classic has added nearly $80 million to the film's box office and will likely spawn more re-releases.

Moneyball finished in third with $12.5 million. As one of the few male-driven movies in the marketplace, the Brad Pitt/Jonah Hill sports stats drama should continue to hold well, as its 35% drop attests.

By a lone, un-radiated hair, the strongest new release of the bunch was 50/50, which underperformed with an $8.85 million opening. The cancer-themed comedy/drama is a tough sell, but the movie's A- CinemaScore could translate to positive word-of-mouth. Reluctant audiences may be persuaded by friends that seeing a movie about a deadly disease can actually be a touching, uplifting experience.

The fatih-based drama Courageous overperformed with $8.8 million. THR critic Frank Scheck praised the "growing expertise" of Alex and Stephen Kendrick, who together contribute to the directing, writing, acting, and producing credits. "These enterprising Baptist filmmakers clearly know their audience," he observed after seeing the movie in a theatre packed with faithful moviegoers. Sherwood Pictures (Fireproof, Facing the Giants) has been growing in profile with a number of successes aimed at underserved audiences. 2008's Fireproof grossed five times its opening weekend. A similar multiple could bring Courageous' cumulative total above $40 million.

If most horror movies are seen by teen girls, why would they see middle-aged Daniel Craig and Rachel Weisz fear for their lives in Dream House? The ambitious film, budgeted at $50 million, finished with $8.2 million. For a horror movie, that's a particularly bad opening. Its 7% positive approval rating on Rotten Tomatoes, which confirms this movie is not The Shining, may have had something to do with it.

Anna Faris is a lovely star, but she must be disappointed after What's Your Number? debuted to a paltry $5.6 million. The movie seemed like a pretty typical romantic comedy, which audiences have been shunning in recent years. Perhaps the star can strut out her comedy skills to a broader audience when she appears opposite Sacha Baron Cohen in The Dictator next year.

Take Shelter boasted an $18,700 per-screen average at three locations. The Michael Shannon/Jessica Chastain movie could results in an Oscar nomination for Shannon. Years of delay didn't help Margaret, the post-9/11 pensive drama starring Anna Paquin. The movie's $3,700 per-screen average does not bode well for Fox Searchlight's planned expansion.

This Friday, the George Clooney/Ryan Gosling political ensemble drama The Ides of March will go up against the father-son-robot bonding movie Real Steel.

'Moneyball' aims for the bleachers

By Sarah Sluis

The fall is known for being a quiet time for movies, but this year we're already seeing a potential Oscar contender, Moneyball (2,993 theatres), coming out to entertain adult audiences. Sony appears to be repeating the same strategy they used for last year's The Social Network, which opened October 1st and still managed to have a strong presence during awards season. Critic Rex Roberts praises the movie for turning the antics of number-crunching back-office executives into "scintillating cinema" that is "eminently enjoyable." Brad Pitt stars as Billy Beane, a one-time potential star prospect who failed in the major leagues and now manages the impoverished Oakland A's. With the help of a young Yalie (Jonah Hill), he builds a record-breaking team on a low budget by analyzing little-known stats like on-base percentages. Moneyball could top $20 million, especially as critics pile on their love for the movie, which is currently rating 92% positive on Rotten Tomatoes.

Moneyball's toughest competitor will be a feel-good movie with maimed pets and Morgan Freeman. Dolphin Tale (3,507 theatres) is the latest from Alcon Entertainment, which produced The Blind Side. THR's Todd McCarthy described the movie as "an appealing family film that doesn't know when to quit with the uplift." The true-life story centers on a dolphin with an injured tail who receives a prosthetic appendage with the help of community members (including a benevolent billionaire). The aww factor should bring families to the theatre if they aren't catching up on last week's winner, the re-release of The Lion King.

Twilight fans are expected to turn out en masse for Abduction (3,118 theatres), which stars Taylor Lautner, the werewolf boy in the supernatural series. Those that don't fall into the teen girl demographic should only go if they're interested in seeing "the year's most entertaining bad film," a superlative given by critic David Noh. "Unintentional laughs" come from lines like "There's a bomb in the oven" and the threat "I will kill all your friends on Facebook."

Killer Elite (2,986 theatres), the first film from AMC/Regal-created distributor Open Road Films, is "a confusing, unsatisfying action thriller," according to critic Daniel Eagan. Starring Jason Statham, Robert De Niro, and Clive Owen, the movie jumbles together former secret service agents, fights over Middle Eastern oil, and mercenaries in the "clumsy and preposterous" tale. An opening weekend around $10 million is expected, with Abduction and Killer Elite considered close competitiors.

On the specialty front, Noh praises Weekend (1 theatre) as "one of the best gay films ever made," with an "emotional payoff" at the end that's "beautifully observed and quite devastating." I really hate the title of Machine Gun Preacher (4 theatres), which sounds like an exploitation film but is actually the tale of an ex-con (Gerard Butler) who finds God and goes to Sudan and Uganda to help those in need. Critic Kirk Honeycutt acknowledged that it's "solid, worthy effort, but doesn't like to ask too many questions," or delve into a critique of the main character's choices or methods.

On Monday, we'll see in Moneyball hit it out of the park and if audiences responded to the feel-good premise of Dolphin Tale.