‘Ride Along’ finishes first

Exceeding what were already high expectations, Ride Along not only earned the No. 1 spot at the box office this past weekend, but managed to set a new January record. The comedy grossed $41.6 million over the three-day holiday, or $48.1 million for Friday, Saturday, Sunday, and Monday in total. The film’s weekend opening bests that of previous January record-holder Cloverfield, which bowed to $40.1 million in 2008. With a strong “A” CinemaScore rating, Ride Along will likely hold well over the coming weeks. An ultimate return of over $100 million isn’t out of the question.

Well-regarded Lone Survivor was the weekend’s No. 2 earner, easing just 42% to rake in $22.1 million. As of this morning, the war drama’s domestic cume stands at a great $77.2 million.

“Great” could also describe The Nut Job’s opening weekend performance. The animated comedy feature grossed a stronger-than-expected $19.4 million for the three days. While that figure is roughly on track with those predictions made on Friday (pundits did say the film would open to less than $20 million) the real surprise lay in The Nut Job’s ability to beat its direct family-friendly competition. Frozen is still doing banner business – especially when you consider the film has been screening for eight weeks now – but the musical failed to out-earn upstart Job. Still, with its $11.9 million haul, a drop-off of only 20% from the previous week, Frozen yet enjoyed a fiscally friendly weekend.

Frozen’s take places it at No. 5, with the weekend’s No. 4 slot going to the rather disappointing Jack Ryan reboot, Jack Ryan: Shadow Recruit. The fourth attempt at adapting the Tom Clancy-penned series, Recruit earned $15.4 million. Along with its soft opening, the film’s troubles were compounded by its older-skewing audience. Eighty-five percent of Jack Ryan viewers were over the age of 25, meaning the filmmakers’ decision to cast young, 33-year-old Chris Pine in the lead role, an attempt to lure a young fan base – one that would hopefully grow with the series – failed to pay off. The franchise’s future remains murky, though one can assume executives aren’t chomping at the bit to finance a sequel.

However, those behind the Jack Ryan production can rest easy knowing they were not involved in Devil’s Due, the weekend’s bomb. The horror flick earned $8.4 million, making it the seventh film from distributor 20^th Century Fox to open below $15 million, an unenviable streak that extends back to Percy Jackson: Sea of Monsters.

American Hustle, on the other hand, continues its hot streak. The film saw an uptick of 19% from last weekend with its $9.9. million gross, which places it at the top of the pack, at least in terms of earning potential, of this year’s Oscar nominees. Other awards contenders August: Osage County and The Wolf of Wall Street earned $7.4 and $7.1 million, respectively, with the latter crossing the $90 million mark on Monday.

Gravity earned $1.87 from its first weekend in re-release. 12 Years a Slave benefitted as well from a second run: The harrowing Steve McQueen drama has now grossed over $40 million.

'Elysium' should lead, with 'Planes' at its tail

This weekend brings four new releases, two today and two that jumped the gun with an early release on Wednesday. The frontrunner is Elysium (3,284 theatres), which has two things going for it: District 9 writer/director Neill Blomkamp, and star Matt Damon. Critics have been

more tepid towards Elysium: It's tracking just 66% positive, compared to District 9's 90% "Fresh" rating (it also scored an Oscar nod for Best Picture). Our critic Michael Sauter was one of those who came out in favor of the futuristic dystopia. He calls out its "hurtling momentum,
with enough boom-crash-splatter explosiveness to wow even the most
hardened action junkie," which pairs well with a "topical, deeply
resonant theme and premise." Others (including myself) thought the plot had some gaping Swiss cheese-holes, with commentary not nearly as biting as District 9, and I suspect audiences will come away with a similar spectrum of reactions. Curiosity and name-brand recognition should bring Elysium over a $30 million opening.

Joining Elysium is Planes (3,702 theatres), the final animated release of the summer. Both Turbo and live-action/animation hybrid The Smurfs 2 fell victim to animation fatigue, and the huge amount of animated product in release should definitely take a slice out of Planes' pie. An opening over $20 million would be good news for this "simplistic knockoff" of Cars, which Disney moved from direct-to-video to theatrical release. "Why didn’t someone bring the pixie dust that makes
Pixar’s animated flicks a cut above in wit, style and detail?" our critic Harry Haun bemoans. Still, plenty of young kids are obsessed with planes, cars, and all things mechanical, and this movie will be catnip to those youngsters--if not the parents who bring them to theatres.

A low-level pot dealer (Jason Sudeikis) becomes a drug runner to get himself out of a pinch in We're the Millers (3,260 theatres), assembling a fake family (including Jennifer Aniston as a stripper) in the process. Our critic David Noh loved the cast and the premise, but regrets that the "direction and writing are so scattershot, they engender only
fitful amusement." A real highlight is Nick Offerman as a goody two-shoes RV owner--he's
probably one of my favorite comedy players right now. We're the Millers earned $6.7 million on Wednesday, and its totals should rise to the upper-$20 millions by Monday.

Percy Jackson: Sea of Monsters (3,031 theatres) also opened on Wednesday, earning $5.4 million, which also should put it on track for a weekend somewhere north of $20 million. This is an action-fantasy for the tween set, with "Harry Potter-esque assets" that become less appealing the older and more discerning the audience gets, according to FJI's Doris Toumarkine.

This weekend's specialty offerings include In a World (3 theatres), a comedy starring Lake Bell as a wannabe voiceover artist that "has its moments," according to Toumarkine. Woody Allen's Blue Jasmine will expand from 50 to 116 locations in its third week.

On Monday, we'll see if Elysium indeed grabbed the top spot, and how the other three new releases finished in this close August weekend.